Worship - the "Missing Jewel"

  • Nov 12, 2009
  • Here are excerpts from another great article from Chuck Swindoll regarding worship. The full article can be read by clicking here.


    What exactly is worship? And is it all that rare? In 1961, while he was speaking to the pastors of the Associated Gospel Churches of Canada, the late A. W. Tozer said that worship “is the missing jewel in modern evangelicalism.”? I think he was a prophet ahead of his time.
    Let me ask you: Do you worship where you go to church? “Yes,” you say, “I just love the Bible teaching at our church.” That’s not my question. “Oh, yes, the singing is wonderful.” That’s not my question either. I know you love the Bible. You wouldn’t support this ministry if you didn’t. And you probably love to sing. I’m not asking about those things. I’m asking, Do you worship?
    My great concern is that we tend to play the game of “church.” We learn how to dress, learn how to sit, and learn how to look. We even learn the words of the songs. But what about our focus as we sing them? While we sing, “A mighty fortress is our God,” we’re thinking, Why did she wear a dress like that? “A bulwark never failing.” Did I turn the lights off on my car? We can do that and not even change our expression. That’s not worship—that’s playing the church game. When I am truly lost in wonder, love, and praise, I have to tell you, there are times I don’t even know my name.
    I have been in meetings where the worship has been so, for lack of a better word, thick, so thick with His presence, that I lack the means to care for anything or anyone else, including myself. I’m completely lost in the praise of my God.
    This is not related to whether you go to a charismatic or non-charismatic church. I don’t care if it is denominational or non-denominational. I don’t care if it’s urban or rural, large or small. You can have contemporary music or sing the most traditional hymns and still miss the wonder of worship. Worship is not linked to a denomination or dependent upon a certain style. It’s so much more than any of that!
    What, then, is worship? Dr. Ron Allen, a classmate of mine during seminary and now a professor at Dallas Theological Seminary, digs deep when he writes,
    Worship is an active response to God whereby we declare His worth.
    Worship is not passive; but is participative. Worship is not simply a mood; it is a response. Worship is not just a feeling; it is a declaration...
    The English word worship is wonderfully expressive of the act that it describes. This term comes from the Anglo-Saxon weorthscipe, which then was modified to worthship, and finally to worship. Worship means ‘to attribute worth’ to something or someone.”?
    He continues by explaining that we use the word too loosely when we say “he worships his car” or “she worships her children.” Unless his car has supreme worth in his life or her children are of the highest value for her, then we’re not using the term accurately.
    That’s the missing jewel—worshiping God by ascribing to Him supreme worth, for He alone is worthy. Notice I did not say, “Worship Him by singing . . . worship Him by teaching.” We ascribe to Him worth in our teaching, in our singing, and in our prayers. He alone is awesome. That’s another word we’ve cheapened by attaching it to objects made by human hands. A car is not awesome. No movie is awesome. God alone is awesome. He brings out the wonder in me, which prompts me to search for ways to express His worth.
    1. A. W. Tozer in The Best of A. W. Tozer, as quoted in Making New Discoveries (Anaheim, Calif.: Insight for Living, 1996), 29.
    2. Ron Allen and Gordon Borror, Worship: Rediscovering the Missing Jewel, as quoted in Making New Discoveries (Anaheim, Calif.: Insight for Living, 1996), 30.
    Adapted from Charles R. Swindoll, Insights (August 2003), 1-2. Copyright © 2003 by Charles R. Swindoll, Inc. All rights reserved worldwide.

    November Hymn of the Month

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  • Nov 4, 2009
  • "I Am Not Skilled to Understand" AKA "My Savior, My God"

    Here's the story behind the song:

    Aaron Shust found the hymn "I Am Not skilled to Understand" in the One Year Book of Hymns, a devotional he was using. He was immediately taken by the words, but was unfamiliar with the tune. The lyrics/poem had been written in 1873 by Dora Greenwell expressing her incredible passion for her Savior and her intense gratitude for what Christ did. The song also expresses the truth that we don't always understand the mysteries of theology or understand God's perfect plan, but we can always trust that God is in control.

    The tune to the hymn was no longer familiar to Aaron or his church so he put a new tune to it and started using it in church services. Two years later he completed the song by adding the chorus. The song has as become extremely popular under it's new title "My Savior, My God" and has unlocked the hymn for a new generation.

    [Resource: More Songs For Praise and Worship 4, published by Word Music Group]

    What are we telling the coming generations about God?

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  • Oct 29, 2009
  • Bob Kauflin articulates wonderfully the dangers of designing our worship services around our personal preferences. In our church services it's important that we find styles that multiple generations can sing together.

    This 3 1/2 minute video is a portion of his message from Psalm 78 given during the WorshipGod '09 conference.


    Mean What You Sing

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  • Oct 14, 2009
  • I appreciated this email I received from a friend with the following devotion from Chuck Swindoll relating to singing with integrity. You can link to this article and others on the Insight for Living website by clicking on this posts title.

    Mean What You Sing
    by Charles R. Swindoll

    Revelation 5:9-10

    Nothing touches the human heart deeper than music. This is never more true than when a group of Christians sings heartily unto their Lord. Many a cold heart on skid row has melted as the strains of some old hymn lingered in steamy streets and sleazy alleys surrounding a gospel mission. When congregations sing the praises of the King, even the demonic hosts stand at attention. "The powers of darkness fear when this sweet chant they hear, May Jesus Christ be praised!"

    Such moving melodies hold out a warm welcome to strangers, comfort to the broken, refreshment to the lonely, and affirmation to the discouraged. Great music from God's people instructs and reproves, blesses and relieves.

    Charles Wesley, perhaps the most prolific hymnist of all time, realized the value of corporate singing as he wrote, "O for a thousand tongues to sing my great Redeemer's praise." There is nothing to compare to that sound. Nothing.

    But have you noticed the fly in our melodic ointment? It is not a lack of beauty or harmony, nor is it insufficient volume or intensity. It is, plain and simple, the presence of words with an absence of meaning. We sing well, but we fail to heed the message hidden behind the bars.

    Stop and think. There's a line in "Take My Life and Let It Be" that always makes me pause as the words stick in my throat: "Take my silver and my gold, not a mite would I withhold." Imagine! Not even "a mite"! We all sing that with such ease, yet I have known few who wouldn't withhold something. Including me.

    Last Sunday after the service our congregation sang "I Give All My Witness to You" . . . and then we left. We all got into our cars, drove away, and most of us have not seen one another since. What's been happening? Has He had our witness? Have the days that passed been that much different than two weeks earlier? A month? Those thoughts haunt me.

    Think of each song or hymn as a promise to God, a binding statement of your commitment. Picture the results of this commitment as you sing it with gusto. Then, after the song has ended, apply it with the same gusto.

    God not only loves a cheerful giver, He honors a sincere singer.

    This Sunday put yourself into the lyrics of each hymn, considering them your own personal credo. See what a difference it makes.

    Excerpted from Day by Day with Charles Swindoll, Copyright © 2000 by Charles R. Swindoll, Inc. (Thomas Nelson Publishers). All rights reserved worldwide. Used by permission.

    The Arrogance of Legalism

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  • Oct 1, 2009
  • In C.J. Mahaney's book "The Cross Centered Life - Keeping the Gospel the Main Thing" there's a whole chapter on breaking the rules of legalism. He says the implications of legalism are staggering in their arrogance.

    "Legalism claims that the death of Jesus on the cross was either unnecessary or insufficient. It essentially says to God 'Your plan didn't work. The cross wasn't enough and I need to add my good works to it to be saved.' "
    Thank God for His saving work found solely & wholly in the cross! If my salvation were even partially dependent on what I could contribute there is no way I could accomplish it!!

    Paul tells us the same thing in Galations 5:2-4:
    Look: I, Paul, say to you that if you accept circumcision, Christ will be of no advantage to you. I testify again to every man who accepts circumcision that he is obligated to keep the whole law. You are severed from Christ, you who would be justified by the law; you have fallen away from grace. (ESV) (emphasis mine)

    The 12 verses of "Crown Him with Many Crowns"

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  • Sep 16, 2009
  • Our church has been focusing on the hymn "Crown Him with Many Crowns" for the month of September. There is some interesting background connected to this hymn, including how there got to be 12 verses.

    The song was originally penned in 1851 by Matthew Bridges (1800-1894), a former Anglican turned Catholic. Bridges wrote six stanzas, based upon Revelations 19:12, “...and on His head were many crowns.”

    Godfrey Thring (1823-1903) was a devout Anglican clergyman who was concerned that this popular hymn was allowing Catholic theology to be sung by protestant congregations. And so he wrote six new verses.

    The 12 stanzas have been mixed and matched down through the years. Interestingly, of the six verses most commonly appearing in hymnals today, three were written by Bridges and three by Thring.

    Crown Him with Many Crowns — Bridges (1851):

    Crown Him with many crowns,
    The Lamb upon His throne;
    Hark! how the heavenly anthems drowns
    All music but its own:
    Awake, my soul, and sing
    Of Him who died for thee,
    And hail Him as thy matchless King
    Through all eternity.

    Crown Him the Virgin’s Son!
    The God Incarnate born,—
    Whose arm those crimson trophies won
    Which now His brow adorn!
    Fruit of the mystic Rose
    As of that Rose the Stem:
    The Root, whence mercy ever flows,—
    The Babe of Bethlehem!

    Crown Him the Lord of peace!
    Whose power a scepter sways,
    From pole to pole,—that wars may cease,
    Absorbed in prayer and praise:
    His reign shall know no end,
    And round His pierced feet
    Fair flowers of paradise extend
    Their fragrance ever sweet.

    Crown Him the Lord of love!
    Behold His hands and side,—
    Rich wounds, yet visible above,
    In beauty glorified:
    No angel in the sky
    Can fully bear that sight,
    But downward bends his burning eye
    At mysteries so bright!

    Crown Him the Lord of years!
    The Potentate of time,—
    Creator of the rolling spheres,
    Ineffably sublime!
    Glassed in a sea of light,
    Where everlasting waves
    Reflect His throne,—the Infinite!
    Who lives,—and loves—and saves.

    Crown Him the Lord of heaven!
    One with the Father known,—
    And the blest Spirit, through Him given
    From yonder triune throne!
    All hail! Redeemer,—Hail!
    For Thou hast died for me;
    Thy praise shall never, never fail
    Throughout eternity!

    Crown Him with Many Crowns — Thring (1874):

    Crown Him with crowns of gold,
    All nations great and small,
    Crown Him, ye martyred saints of old,
    The Lamb once slain for all;
    The Lamb once slain for them
    Who bring their praises now,
    As jewels for the diadem
    That girds His sacred brow.

    Crown Him the Son of God
    Before the worlds began,
    And ye, who tread where He hath trod,
    Crown Him the Son of man;
    Who every grief hath known
    That wrings the human breast,
    And takes and bears them for His own,
    That all in Him may rest.

    Crown Him the Lord of light,
    Who o’er a darkened world
    In robes of glory infinite
    His fiery flag unfurled.
    And bore it raised on high,
    In heaven-in earth-beneath,
    To all the sign of victory
    O’er Satan, sin, and death.

    Crown Him the Lord of life
    Who triumphed o’er the grave,
    And rose victorious in the strife
    For those He came to save;
    His glories now we sing
    Who died, and rose on high.
    Who died, eternal life to bring
    And lives that death may die.

    Crown Him of lords the Lord,
    Who over all doth reign
    Who once on earth, the incarnate Word,
    For ransomed sinners slain,
    Now lives in realms of light,
    Where saints with angels sing
    Their songs before Him day and night,
    Their God, Redeemer, King.

    Crown Him the Lord of heaven,
    Enthroned in worlds above;
    Crown Him the King, to whom is given
    The wondrous name of Love,
    Crown Him with many crowns,
    As thrones before Him fall.
    Crown Him, ye kings, with many crowns,
    For He is King of all.

    Pursuit of Biblical Worship

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  • Jun 12, 2009
  • I read 2 things today that struck me as important elements to remember when pursuing Biblical worship.
    • My generation isn't the first to think about and pursue Biblical worship. In other words, there is great value in studying and using resources (hymns, sermons, discourses, etc.) from those who have gone before us. We aren't starting our pursuit in an historical vacuum (Heb. 12:1, 22-24), so let's learn & grow from those who have gone before us.

    • "When it comes to forms of worship, any form that facilitates and encourages worship in spirit and truth by a particular gathering of people, at a particular time in history, in the context of a particular culture is pleasing to God. That implies that no one form can fully express the vastness of God. No given time, culture, or generation can give God the honor He deserves." (from Worship Matters by Bob Kauflin)

    'Common' Church Music

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  • May 28, 2009
  • I was recently sent the following Donald Hustad quote from a friend working on a paper.

    "'Common' church music - that which is intended for congregational participation - must always be 'popular', that is to say, simple and non-professional. When used in worship, this music assumes by association a sacral symbolism. It becomes 'sacred' music language. In any period of spiritual renewal, old symbols frequently lose their meaning and new ones must be sought. Obviously, they will be found outside the church, and because they must be 'common' or 'popular,' they will come from secular folk song and even from commercial entertainment music. In the evangelistic thrust of renewal, the fresh 'secular-becomes-sacred' song becomes an effective vehicle for witness to the uncommitted. The newly adopted secular language eventually gains a new sacrilization and becomes the norm for divine worship. It remains so until another spiritual revival displaces it. In the theological rational, one might say that this process demonstrates the church's willingness to be forever incarnational, to identify with "the world" and to transform it for Christ."

    I thought I'd post my best shot at interpreting (and perhaps adding a few things to) the quote. After re-reading it I think there is much more to be mined from this quote than my few comments, so feel free to add any additional thoughts you might have. Here goes:

    Music intended for congregational use should be popular (i.e. non-professional) because the intent is for participation by the congregation, which requires forms that the common person can sing/participate with. I don't think he is saying "professional" music can't or shouldn't be used in church (i.e. as solos, etc), just not as elements we would expect everyone in the body to participate in. (NOTE: when I say "professional" music I mean music that typically requires being sung or played by someone who has professional training due to it's complexity & difficulty).
    After that I think he is also saying that when music is used in church (of any style/genre, etc) it takes on in peoples minds a "sacred" or religious connection because of its use in church. Incidently, I think this is why it is always important to carefully think through all the elements we use in our worship services. Because, simply by using them in church many people will attach to it religious symbolism and/or see its use as an endorsement of the element. An example might be like using a movie clip as a sermon point. The clip from the movie might be very relevant for the sermon, but some will perhaps see using the clip as the church endorsing the entire movie (theme, content, etc), which may not really be the case.
    The rest of the quote basically says that what we consider "traditional"
    today was, in its day, contemporary & popular and not always accepted as appropriate at the time. But after time goes by what once was contemporary music gets surpassed by something more contemporary until it eventually becomes "that good old stuff we used to sing". And so we have an endless cycle.

    What Happens When We Sing?

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  • May 21, 2009
  • I've posted a great message by Bob Kauflin given at the Desiring God conference in September related to singing and the power of music in our worship. Below are notes from it if you would like to read them (I did not write these) or if you want to see the session, the video is here

    It's a bit long but well worth the listen. I hope you'll take the time.

    _____________________________________________________________

    Words of Wonder: What Happens When We Sing?

    Singing has been a major part of my life, but I don't assume you share my background. To appreciate this message you don't even have to enjoy singing. But if that's where you're at, remember that God has a passion for singing. "Oh sing to the Lord a new song. Sing to the Lord all the earth...tell of his salvation from day to day" (Psalm 96:1-3; cf. Psalm 47:6).

    The Bible contains over 400 references to singing and 50 direct commands to sing. We're commanded twice in the New Testament to sing psalms, hymns, and spiritual songs (Ephesians 5:19; Colossians 3:16).

    Why does God command us not only to praise him, but to sing praises to him?

    We can begin by realizing that God himself sings (Zephaniah 3:17). Jesus sang hymns with his disciples. Ephesians 5 tells us that one of the fruits of being filled with the Spirit is singing. So we worship a triune God who sings, and he wants us to be like him.

    How does music relate to words?

    Some Christians think music supercedes the word, both in its significance and effect. Others think that music undermines the word. But God himself wants them together. He gave us music to serve to word. How music does this is the theme of this message.

    Three Ways Singing Serves the Word

    1) Singing can help us remember words.

    Ever notice how easy it is to recall the words of songs you haven't heard for 20 years? We store literally hundreds, even thousands of songs in our memory vaults. Music has an unusual mnemonic power. We remember patterns in music much better than patterns in words alone. Rhyme, meter and song are the most powerful mnemonic devices. They govern and restrict the way we say words and the time it takes to say them. Notice in Deuteronomy 31 that God uses music to help his people remember his words.

    Implications

    1. In the church we should use effective melodies, that is, melodies that people are able to remember and that they want to remember. And both familiar and new melodies have their place among the people of God. Some great hymn lyrics have been ruined by new melodies and others have been revived by it.

    2. We should sing words God wants us to remember. It matters not only that we sing but also what we sing. Colossians 3:16 - It is the word of Christ, the gospel, that should dwell in us richly as we sing. The largest portion of our singing content should be the truths that we are responding to, not just words about the effect that truth has on us. Also, the lyrics of our songs should reflect the broad themes of Scripture. Ask yourself, If the teaching of our church was limited to the songs we sing, what would our people know?

    3. We should seek to memorize songs. Don't be too dependant upon screens or hymnbooks.

    2) Singing can help us engage the words emotionally.

    Music is a language of emotion in every culture of every age. It is capable of effecting us in profound and subtle ways (like when Saul's spirit was calmed by David's harp).

    Why does music affect us deeply?

    One reason is its associations. In our culture, a fast song in a major key is usually associated with happiness, whereas a slow song in a minor key is associated with sadness. Music can also bring forth old associations of things that happened in certain periods or experiences in our lives.

    Musical skill also has a role in affecting us deeply. If it is played well it can affect us to a deeper degree, whereas poorly done music can be distracting or less effective.

    Music helps us engage emotionally with the words we're singing also by stretching things out. It gives us time to think about the words more carefully. Consider the repetition of Psalm 136 or the hymn "It Is Well." Through repetition the words and emotions are amplified.

    Implications:

    1. We need a broad emotional range in the songs we sing: reverence, awe, repentance, grief, joy, celebration, etc. The jubilant triumph of Christ's victory over sin cannot be duly communicated in an acappella hymn.

    2. We don't need to pit different styles or traditions against one another. They each serve to help us in different ways.

    3. Know that there is a difference between being emotional moved and spiritually enlightened. Music has a voice but we're not always sure what that voice is saying. It can make us feel peaceful, but it can't tell us that the Lord is our shepherd or that Jesus endured God's wrath in our place to bring us eternal peace with God.

    4. Singing should be an emotional event. And they should be religious affections. We won't always be moved in the same way or to the same effect when we sing, but when the emotions aren't there we should repent and cry out for mercy to feel them appropriately again. God is worthy of our highest, purest, and strongest emotions. Singing helps express and unite them. Singing without emotion is an oxymoron. Vibrant singing enables us to connect truth about God with passion for that truth. We can sing theologically profound truths and not be affected. But none of that changes the fact that God wants to use music to help break through the apathy and hardness of our heart and engage him emotionally.

    3) Singing can help us use words to demonstrate and express our unity.

    The first two points can be accomplished when we sing by ourselves, but this point needs other people.

    People sing together in the strangest places: rock concerts, sporting events, birthdays, weddings, funerals. Singing together tends to bind us together. It enables us to spend extended periods of times expressing the same thoughts and passions. And when it comes to the church, it has significant implications.

    Scripture doesn't only speak about congregational singing--God can be honored when we sing alone or when soloists sing in the church. But it is clear that the dominant theme of Scripture is believers singing together. Jesus died to redeem a universal choir, and every individual voice matters. We are not called to listen to others sing or to sing by ourselves. We are called to sing together. The question is not, "Do you have a voice?" The question is, "Do you have a song?" If you're redeemed by Christ's cross then you do have a song.

    Implications

    1. We should sing songs that unite rather than divide the church. We can appreciate the diverse musical styles and genres, but we shouldn't try and make church worship "something for everybody." There should be a unifying musical center that focuses on the sound of the people themselves. God commands us to worship him with instruments, but the majority of the commands tell us to worship him in song. Instruments are only there to aid the singing. So if you never sing without instruments, you should start singing acappella at times.

    2. Musical creativity in the church has functional limits. Your iPod shouldn't be the starting point for selecting songs to sing together. We want to pursue a creativity that is undistracting and not just innovative.

    3. We must be clear that it is the gospel and not music that unites us. We should guard against gathering together in churches based upon our musical preferences rather than according to our unity in the gospel. The gospel is what unites us. Ephesians 2:14 - Jesus has united us, not our music. I don't connect with people at my church because they have the same song selection on their iPod. I love them because Christ has enabled me to love them.

    The host of heaven is not united in their style of music but in the words of their song (Revelation 5:9-10). What kind of music do people from every tribe, tongue, people, and nation sing? We don't know! But the Bible tells us what the focus should be: Worthy is the Lamb who was slain. The Lamb must always be central to our corporate singing. Why? Because Jesus is the one who makes it possible. God doesn't hear us on account of our skill in singing. He hears it because it is in his Son. We shouldn't look for music to move us to sing. God has already done something worthy of moving us. How can we then keep from singing?

    4. Ask yourself, What are we doing to encourage our church in corporate singing? What are we doing to discourage it? Our singing should more and more resemble what we see in Revelation. Whatever we experience here in terms of the active presence of God, it is a mere glimmer of what is to come. In the new heavens and earth we will sing gloriously and for a long time. Our thoughts and passions will be focused, and we will have the strength to give him the glory he deserves. What a glorious thing to anticipate that time! And part of our singing here on earth is anticipation of what is to come.

    I'm back! (hopefully)

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  • May 5, 2009
  • Just a quick post (after 9 months) to say I hope to be back posting on a regular basis again. Sorry to any of you who might have been following my post that it has taken me so long to post again. Life got the better of me and this blog just wasn't a priority. Hopefully I can jump back into the worship dialogue on a regular basis. For now, I've added a few links to the sidebar of recommended books and music I'm currently listening to. Enjoy!